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The whole of the Piazza dei Miracoli laid out end to end in warm sepia, the ground bare and empty in front of it and a handful of people small as pins along the far side. The round baptistery sits at one end, the cathedral in the middle.
And there at the right, leaning over exactly as far as it always has, is the tower — with a single white cloud parked behind the dome as if it had been asked to pose!
The sepia tone reduces colour variety to a single warm palette. The three distinct buildings provide structural landmarks, but the uniform sky and similar marble textures across all structures add moderate challenge.











