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Twelve squares, twelve sets of concentric rings, and no two colour combinations anywhere the same. Kandinsky was working out how colours behave when you put them next to one another, and the result became one of the most recognisable images of the last century.
Red against green, orange on violet, a pale ring dropped into the middle of a dark one. Pure colour, and nothing else in it at all.
The grid layout with distinctly coloured squares and concentric circles makes it easy to identify which section each piece belongs to.











