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Kandinsky painted a waterfall and let the colour do the falling. A blue mountain leans in from the left, a broad sweep of white pours down the right-hand side, and a yellow disc sits above it like a sun that has wandered out of place.
Everything else is pure colour laid on thick — orange, crimson and deep green — and out of all those shapes a landscape gathers itself and stands up in front of you.
Kandinsky's abstract style with bold overlapping colour forms and lack of clear representational detail makes orientation difficult. Large areas of similar dark tones add to the challenge.











